Squeezed between two rocky hills and circled by imperial eagles, the village was still reachable only in an off-road vehicle, via a steep, rutted track.


And the complexities of this transition created a clash between the filmmakers’ professional duties as cleareyed observers and their subjects’ emotional expectations of them as humans and friends.Now the filmmakers find themselves unable to leave entirely — serving as mediators to, and occasionally protagonists in, the local tensions to which they once only bore witness.“For the film crew,” said Ms. Muratova, “it was more demanding to deal with us after the film than during the filming itself.”Both members of North Macedonia’s Turkish minority, Ms. Muratova, 56, and Mr. Sam, 70, have similar roots in rural poverty, but markedly different approaches to life.Calm and gentle, Ms. Muratova has a deep and respectful relationship with nature, treating her bees almost as collaborators. It also made Ms. Muratova perhaps the world’s most famous beekeeper.It won three prizes at the prestigious Sundance Film Festival and was nominated for best documentary and best international feature at this year’s Academy Awards. All rights reserved. Muratova had lost her new house key, so the producer had to find the workman with the spare. You can't miss her. So all the scenes with the dialogue, particularly, we didn’t know what’s going on there. This is how we found our protagonist. And this is how we came to it. Like, for example, in the winter, when mother said there will be spring, something like that, was very [profound],” he said.Added Kotevska, “That, for us, made it feel like we [were] watching a new film. Hatidže Muratova i Samir Ljuma, pogledajte ako za ljubav znate!
So we can probably say that the bees brought us to her.”Hatidze spent her time caring for both her bees and her mother, and with no spouse or children of her own, took some of the neighbor kids under her wing.“She’s the only one remaining in this village to take care of her mother, because in the old tribe that she belongs to it’s a tradition that the last female takes care over the parents and doesn’t have a family of her own,” Kotevska. Georgiev and Ms. Muratova visiting her new house in Dorfulija, which is still under construction.Ms. During postproduction, the two became locked in a dispute about a communal well in Bekirlija. Then Mr. Sam wanted help with a grant application, and griped about the problem with the well. Paris (AFP) Watch out at the Oscars on Sunday for Hatidze Muratova. You can't miss her. “Usually you don’t interfere with your protagonists — but as soon as we realized ‘Honeyland’ would be very successful, we thought we had to do something.”Still, the transformation of Ms. Muratova’s life is not necessarily something to mourn, Mr. Stefanov said.“Life is not an infinite process — it has phases,” he said. Squeezed between two … “And I can feel that she feels that this is not her only home.”That was largely thanks to Mr. Stefanov and his fellow filmmakers. The film chronicles the tensions between Hatidze Muratova, a local beekeeper, and a farmer in the remote hamlet of Bekirlija. And then we started editing on mute just the visual narrative,” Stefanov explained.While translators worked to interpret the Macedonian dialect of Turkish the subjects spoke, Stefanov and Kotevska stitched a visual narrative that made sense — and once the translations were added, they were surprised at what they found.“It was very surprising because we didn’t change what we put on the line.

Muratova never married, while Mr. Sam and his wife, Ljutvie, have eight rambunctious children.In the film, relations between Ms. Muratova and Mr. Sam were bad; Mr. Sam ignored Ms. Muratova’s advice about how to start his own bee colony, leading his bees to attack hers and ruining Ms. Muratova’s entire livelihood.But in relative terms, the period depicted in the film proved to be a rare period of calm in a conflict that had begun long before filming started, and which has escalated since it finished. And then she said that this is something she was thinking of a lot — how to find a way to tell her story to the world.

The woman, Hatidze Muratova, is an actual beekeeper, and “Honeyland,” directed by Ljubomir Stefanov and Tamara Kotevska, is a documentary about her life and labors. “I thought you’d abandoned us.”Yet Mr. Georgiev has been anything but absent.

Scott, the co-chief film critic of The New York Times, In a simpler world, Mr. Georgiev, Mr. Stefanov and his co-director, Tamara Kotevska, would be basking in their newfound success, and focusing on new projects.But the “Honeyland” directors, together with two cameramen, spent three years, on and off, visiting these families.That intense process ultimately shoved Ms. Muratova and Mr. Sam, vulnerable people who had never previously even been to a cinema, into the media glare. The project originally started as an environmental documentary about the river running through the center of Macedonia, but plans changed when the team discovered the beehives Hatidze …


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