Love & sex Home & garden Health & fitness Family Travel Money ... Yves Tumor: Safe in the Hands of Love review – thrilling plunderphonics 4 / 5 stars 4 out of 5 stars. 2020 On the other extreme, Bowie forces the electronic progression of "Economy of Freedom" to merge with a soulful vocal delivery.

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There is implied violence, after all, in the language of definition, in “boxing in” and “pinning down.” Definition can be something that Tumor’s music sounds freer to move than most, and it prowls fearlessly around every corner of the record store. Apple Music St. Vincent's Mixtape Delivery Service However, for every distorted, overbearing track like Let The Lioness In You Flow Freely, there is a relatively gentle track like Licking An Orchid (featuring There is something more abstract than style or substance that binds these tracks together and gives the record consistency. Preview. Faith In Nothing Except In Salvation Mysteriously appearing on the scene 2 years ago with the critically acclaimed Serpent Music, Yves Tumor returns once more with the highly anticipated Warp Records debut Safe in the Hands of Love. It might be that all the tracks here express vulnerability on some level, whether it be the pleading vocals that fight for prominence in the raucous closing track (“Let me be the one to hold you tight / No other girls could treat you right”) or the plaintive guitar loop of Recognizing The Enemy which opens the track and feels weak, distant, lost.It gives the album an air of lateral thinking, and makes for a truly enthralling listen.

His debut record Apart from being a producer, Bowie is a multi-instrumentalist and one that appears to be very well versed in the different contemporary music scenes.

But other tracks eschew that convention completely, such as the The production on Safe In The Hands Of Love is lo-fi, and this at times leads to the instrumentation blending into a mulch that defies dissection, and many of the tracks, even the most intense, feel like they could fall apart at any moment.

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For You Yves Tumor with Ecco2k and Gore at Slowdown - Front Room (January 1, 2021) Diagnosed with Parkinson's disease, former nurse Debbie LaGrange turned to songwriting and celebrating the preservation of the Cajun-French language and heritage. Apple Music It would seem that mixing of a variety of musical styles can break an album into pieces. (Warp)

"All the Love We Have Now" brilliantly summarizes the genre-bending style of Bowie, presenting a track that is based on a big, emotive shoegaze sound while retaining a disco-like progression. Radio Apple Music Transcendent feelings are forever one hairsbreadth from annihilating ones—“Some call it torture, baby I enjoy it,” goes a line on “These words feel searingly personal, but in a way that cannot be tracked to a person: Tumor has arranged them a bit like confessions dropped into a box, untethered to a central character.
His previous project Teams saw him start off from a chillwave and vaporwave perspective, which spread further to include elements of disco and deep house. : ____ "Safe in the Hands of Love" is a frank electro-pop album full of interesting sound experiments and emotional colors. ‘Safe in the hands of love’, uitgebracht via Warp Records, lijkt hier een mooi vervolg aan te breien. On ‘Safe In The Hands of Love’, ‘beast’ is more accurate than ever. Apple Music Pop

It is one of the more hazy moments of the record, brought over the top when the vocals of James K join in before Bowie erects a wall of sound to annihilate all the delicacy of the moment. 2018 “Hope in Suffering” feels like the first half of a Prurient album submerged in the first half of The lyrics are full of references to ripping, cracking, screaming, breaking, gouging; pain and torture. “It means so much to me when I can’t recognize myself,” Tumor sings on “Recognizing the Enemy.” This could be the voice of someone depersonalized by trauma, unable to piece together their identity from the wreckage. Listen on Apple Music. “A lot of people are confused about my actual whereabouts, but that’s OK,” Tumor once said when asked a simple question: “Where do you live?” But there is no apparent desire to trick anyone: If anything, Tumor’s evasiveness stems from something more like self-preservation. With a more mellow tone, "Licking an Orchid" comes to the front, with its subtle progression and more minimal instrumentation produce a psychedelic twist. 2019 Still restless regarding the sound of his project, he produced his sophomore record under the Teams moniker, And then Yves Tumor came along, with Bowie taking a darker and more esoteric approach to experimental electronic music. But they also brim with references to love—love lost, love held for a time, love that sounds like a threat (“I wanna wrap around you”), love that renders the narrators unrecognizable to themselves. Yves Tumor Sean L. Bowie is an enigmatic figure of the experimental electronic scene, whose chameleonic transformations have resulted in a plethora of intriguing works.

"Hope in Suffering" is another instance of these tendencies, as the big spoken word parts spring from within the dystopian sonic collaging to craft the oppressive soundscapes.
Ambient electronic, dream-pop, experimental noise, ’90s R&B, even late-’90s alt-rock—Tumor’s music is fluid and generous enough to contain it all. a more. There are moments here with the brooding tang of ’90s alt-rock.


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