Another seven years passed, and the third Sarstedt combined his older brothers' strategies: Clive Sarstedt kept the family moniker but modified his first name, and as "Robin Sarstedt" had a pop smash with "My Resistance Is Low", a cover version of an early Fifties hit by Hoagy Carmichael (composer of our Song of the Week #35, "Ole Buttermilk Sky"). StudioBinder 1,072,184 views.

And at the end, when the violin creeps under and we're back to the back streets of Naples, Sarstedt is actually pondering a rather profound question: What is the essence of identity, and does it survive?Submission of reader comments is restricted to Mark Steyn Club members only. It was said that the song was about Sophia Loren, who was abandoned as a child and grew up on "the back streets of Naples". by Wes Anderson. Ah, well. Only Peter Sarstedt knew the truth. And one day in 1966 he sat down to write a biographical portrait set to a sidewalk-cafe waltz-time accompaniment. )In a way, the song is a kind of Continental inversion of "The Lady Is A Tramp". You might point to Paul McCartney of the Beatles and his brother Mike McGear of the Scaffold, who got to Number One with "Lily The Pink" just a few weeks before Peter Sarstedt. Donny Osmond and Little Jimmy repeated the trick in the early Seventies. Though not a hit in the US, the song was number one in the UK, a position it held for four weeks in 1969.The song made its first appearance in Wes’ 2007 short The song catapulted Sarstedt to immediate fame in the UK, and topped the charts in 14 countries around the world. Not as interesting as Bardot I freely admit but what is?Thank you, I knew the voice was familiar. Fifteen-year-old Max Fischer (Jason Schwartzman) is a brilliant student at Rushmore Academy, prestigious private institute. The Number One singles that preceded and succeeded it are in the vernacular of the day - "(If Paradise Is) Half As Nice" (Amen Corner) and "I Heard It Through The Grapevine" (Marvin Gaye) - pure Sixties pop for better or worse. Peter Sarstedt, (Peter Eardley Sarstedt), British singer-songwriter (born Dec. 10, 1941, Delhi, British India—died Jan. 8, 2017, Sussex, Eng.

Peter Sarstedt spent half-a-century singing about wanting to look inside her head. So where is she now?

See the annotated lyrics below the video.All content is © to their respective owners. It was the story of a type - the chic Continental who knows everybody and moves in all the right circles. The clip is labeled "Top of the Pops", but, oddly, it's introduced by Simon Dee from what appears to be the BBC's "Dee Time":In 1969, it was the Number One hit in Britain and much of the rest of the world (apart from America) - a freak pop hit entirely at odds with anything else going on in the Hit Parade and insistently memorable right down to the strange forced laugh in the sixth verse. Where did he go to with his lovely when he's alone? And the one guy does his little riff and ends it with the words "for a laugh", and the other guy just went "a-ha-ha-ha". Sorry, your blog cannot share posts by email. to the top of the hit parade seven and a half years later, it was the first time a brace of siblings had ever had separate solo Number One records.

Those who've lived with the song for the previous forty years will either agree - or regard it as one of the most irritating pains in the neck ever to come out of the British pop charts.It was written in 1966 by Peter Sarstedt, one-third of the Sarstedt brothers. Sarstedt's music reached new audiences when Where Do You Go To (My Lovely) was included in the Wes Anderson films Hotel Chevalier and The … And remember just who you are. "Where Do You Go To?" https://www.songfacts.com/facts/peter-sarstedt/where-do-you-go-to-my-lovely However, this song was as close as I came to Paris in the 60's! One minute, you're a nobody. ~Mark will be back right here in a couple of hours with the latest episode of our new Tale for Our Time, The Prisoner of Windsor. Or so the composer said for decades. A prologue of one heart-breaking history of love and the prologue of … There are all kinds of weird cover versions by everyone from Right Said Fred to the Finnish rocker Hector. From the music to the lyrics, it is so evocative and paints a picture - for me - of Paris in the 60's and I can only see a sidewalk cafe when I hear it. I still have the 45 and play it every once in a while or find it on-line from time to time.

She's one, and he's the other. Thank youI always found this song misogynist a bit like that other Bob Dylan number 'Like A Rolling Stone'.Another excellent read. The pop culture allusions are deft and glib and hugely enjoyable. Somehow it had to be in a Wes Anderson film, yes it did...There's something very Marianne Faithfull about this song, no? My brain was stuck on Ricardo Montalban, and I knew that wasn't right.Thanks for featuring that song. The Sarstedt lads did it on their own, one under a pseudonym, the other under the family name. And, after all these bright specifics, Sarstedt gets to the point with a killer chorus:What a nifty idea.

Where Do You Go To My Lovely - Duration: 4:39. A-G-A: "Yes, there are", "Yes, you do." I always liked the "on your back and on your legs" line, but the coup-de-grâce is the next verse:If the song had had nothing else going for it, that would have been enough to make it unforgettable. The oldest, Richard Sarstedt, had a Number One hit in 1961 with "Well, I Ask You" under the name "Eden Kane". Who cares? What does she do? In 1997, for his album The moment passes: Balmain is bankrupt, Sacha Distel died, the Aga Khan got very boring. ", a wacky one-off Eurowaltz heavy on the accordion, that skewers with absolute precision the cultural moment: its references - from Dietrich, Jeanmaire and Balmain in that opening verse alone - are more or less an A-Z of the Eurozeitgeist.

In many ways it reminds me of Cole Porter singing and playing his "you're the top" Eiffel tower, Bendel bonnet, arrow collars, Garbo's salary and the purple light of a summer night in Spain. Peter Sarstedt obituary.

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