A few minutes later, at 7:57 p.m., he sent her one final text: “Lost you.” The traumatized crew helped collect Jones’ body. “We have a firm commitment that we will never forget. “That’s when we all knew that there was no medic,” recalls Gilliard. New, surprising details have emerged about the on-set death of 27-year-old camerawoman Sarah Jones during the first day of filming on Midnight Rider.

But the blast of pressure and wind from the train’s passing ripped Gilliard’s left arm away from her body and straight into the train. The church filled with the sounds of weeping. On the set, she was known as “The Ant” because of her ability to carry heavy objects that dwarfed her.On March 2 in Jones’ hometown, nearly 900 people gathered in the Ashland United Methodist Church, where Jones spent many Sundays as a child.

Doctors have told her she will never straighten her arm again. A team of paramedics arrived within 20 minutes, and a helicopter touched down shortly after.Within an hour after the incident, Gilliard was airlifted to a Savannah hospital to be treated for a compound fracture in her arm and other injuries. The only escape route was toward the oncoming train.

A native of Columbia, S.C., now living in Atlanta, Jones was gifted with optimism, a knack for following instructions and a can-do attitude that endeared her to nearly everyone she encountered. Georgia law enforcement authorities are treating the investigation into Jones’ death as a negligent homicide, setting the stage for the biggest safety-related scandal to rock Hollywood in at least a decade.The exact details of what precautions were — or were not — taken on the set that day and whether the production even had permission to film on the tracks are being sorted out. Hairstylist Joyce Gilliard, also injured in the In the wake of Jones' death, her family, friends, supporters and others in the film industry have launched a campaign for greater awareness and attention to safety issues in the production of films and television. It snapped like a stick. A local news station released a DVD made by Miller’s production company, Unclaimed Freight, in which crewmembers bragged about their “guerrilla style” filmmaking during the production of the 2013 movie Gilliard relaxed a little as the initial filming got underway. She expressed her excitement about working with Hurt, and then she was out of range, and their exchange ended. Miller and another crewmember began tugging at the bed, trying to remove it from the train’s path, fearing it might cause a derailment. Hurt also survived unscathed. But as the train approached, Gilliard says, they abandoned their efforts.Before Gilliard knew it, the train was upon her. Fragments struck camera assistant Sarah Jones and propelled her toward the still fast moving train, resulting in her death.The railroad trestle that the film crew was on is a historic bridge crossing the Executive producer Nick Gant, creative director and principal of Meddin Studios, denied any wrongdoing or negligence in the incident, and told Producers had intended to continue filming immediately following the tragedy, evidenced by their request for new film permits from the city of Savannah,In response to Miller and Savin's decision to restart filming, film crews that had remained largely silent on the details of pending criminal investigations, mounted a very vocal protest against the production company and asked Gregg Allman, Open Road Films, William Hurt and other actors to withdraw their support for the film. Sarah Elizabeth Jones was a camera assistant for The Vampire Diaries, until her tragic death on, February 20th, 2014.

Miller received a sentence of 10 years, of which he was expected to serve two years in jail followed by probation (during which he will be precluded from working as a director or assistant director or other capacity involving employee safety) as well as a fine and community service obligation. Gilliard tried to make her way onto the metal gangplank parallel to the tracks. “Just drop it!”The only viable escape route to the closest shore lay in running toward the approaching train, now traveling, by one estimate, at almost 60 mph. With one hand still on the girder, Gilliard looked down and saw bone sticking out of her sweater.

But when the train hit the bed and mattress, it sent debris flying.

In fact, she says, there was not one safety meeting for the shoot on the tracks that day.According to one media report, Miller may have cut corners before. But Gilliard recalls that when Hurt required a Band-Aid for a minor abrasion, he had to get one from a costume designer who happened to have one in her bag. Something may have hit Jones, possibly propelling her into the train’s path.

“Lord, please protect us on these tracks,” murmured Gilliard. “I was sure I was going to die.”One of the first things she saw when she opened her eyes again was a lifeless Jones, her body and face mangled.

This revelation, along with Gregg Allman's undisclosed out of court settlement with Miller and Savin's Film Allman LLC, has raised substantial questions as to whether the production would still be considered a "Gregg Allman biopic", based on his autobiography, if they were able to attempt to restart filming.The National Council on Occupational Safety and Health, or COSH, cited Sarah Jones in one of seven case studies of workplace deaths that could have been prevented in its annual report.
But her father, As a barefoot Hurt paced, rehearsing his lines, Gilliard watched nervously. “I don’t know myself really what part Randy Miller played in all of this, but he was very upset that day,” says Richard Jones. With the train howling past just inches behind her, Gilliard threw herself onto two metal wires that stretched between the girders and along the gangplank, thrust her head out over the river below and shut her eyes.

“Drop it!” Gilliard and others yelled. But when Miller directed everyone to move out onto the trestle, Gilliard’s stomach tightened once again. But in the days following the disaster, recriminations of shockingly lax safety protocols began to emerge.Jones’ parents are reluctant to cast blame until investigations are complete.


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