Art historian Øivind Storm Bjerke noted in a 2010 exhibition catalogue that while the photographer never joined the In 1936, Kertész moved to New York with his new wife Elizabeth Saly (he was previously married to Hungarian artist Rozsa Klein), and signed a contract with photo agency Keystone Studios, leading to photo commissions from American publications. His clarity of style, emotional connection with his subjects and the geometric patterning of his photographs were evident from the outset. Kertész never felt that he had gained the worldwide recognition he deserved. Robert Doisneau (balra) és André Kertész 1975-ben He served in the Austro-Hungarian army during World War I, and in 1925 had one of his photographs published on the cover of Erdekes Ujsay. In 1927 Kertész was the first photographer to have a one-man exhibition; Jan Slivinsky presented 30 of his photographs at the "Sacre du Printemps Gallery".Kertész and other Hungarian artists formed a synergistic circle; he was featured in exhibits with some of them later in his life. Working during the day at the exchange, he pursued photography the rest of the time.
For Kertész, taking a photograph involved encapsulating an atmosphere but also solving compositional problems linking form to content. The couple only meant to stay for two years, but with World War II looming in Europe, their move became permanent. Now, however, he is often considered to be the father of photojournalism. “His Paris is a dream—his dream, of course, but also the dream of many another young stranger from a foreign land, to whom Paris is the longed for home of the heart,” Gene Thornton wrote in a 1976 Wielding a handheld Leica camera, Kertész captured his moving subjects as they shifted into his frame.

Massy Zaiter Dominicana residente en Madrid, periodista, community manager y fotógrafa profesional que incursiona en el mundo de la fotografía de bodas. André Kertész (Budapest, Hungría, 2 de julio de 1894 - Nueva York, Estados Unidos, 28 de septiembre de 1985) fue un fotógrafo húngaro. Distortion #40, 1933 / 1970s. Privileging lyricism and distortion over reality, he aligned himself with the Kertész, who was born in Budapest, Hungary, in 1894, bought his first camera with his earnings as a stock exchange clerk. Twitter Facebook LinkedIn. Esta es una parte del artículo de Wikipedia utilizado bajo la licencia CC-BY-SA.

Kertész drew more commissions and his work spread. Es conocido por sus contribuciones a la composición fotográfica y por sus esfuerzos para establecer y desarrollar el ensayo fotográfico. In the early years of his career, his then-unorthodox camera angles and style prevented his work from gaining wider recognition. The surroundings had changed but he had remained the same. Conoció la fotografía gracias a un manual que encontró en su ático. Yet in 1964, when the Kertész renounced his commercial work in the 1960s, spending the rest of his life rediscovering his artistic autonomy and the joys of his craft. He was the second (between Imre and Jenő) of three sons. It was Henri Cartier-Bresson who perhaps provided the most fitting tribute when he said: "Each time Andre Kertész's shutter clicks, I feel his heart beating." Andre Kertesz in Paris. Despite his mother's dying in early 1933, Kertész married Elizabeth on 17 June 1933. André Kertész (1894-1985), Photographer. With the assistance of three mirrors, the photographer stretched and warped nude models—their floating, elongated shoulders, heads, and arms make the figures particularly ghoulish. andré kertész galería Navegación de entradas Entrada anterior Historia de la fotografía, 2006-2011 Entrada siguiente 2012, un año en la historia de la fotografía Instead of capturing conflict, however, he After World War I ended, Kertész settled back into his former life in Budapest. While he photographed the streets and interiors of a city still repairing its battle wounds, his black-and-white shots focused on the intimate and voyeuristic: a spiral staircase, a far-off building seen through a clock face, a group of picnickers seen from behind trees. Contemporary Works/Vintage Works. In In addition to these spontaneous shots, Kertész also began one of his most famous series, “Distortions,” in 1933. A dreamy melancholy pervades The Lost Cloud, New York (1937), which features a single cloud floating past a rising, foreboding city tower; the composition is simultaneously wistful and unreal, more psychological than documentary.

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